Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Allan Ramsay 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
73326		A painting of Norman MacLeod	A painting of Norman MacLeod (1705-1722), chief of Clan MacLeod.Mid 18th century; about 1747. cjr
76976		Charlotte of Mecklenburg-Strelitz with two of her children	1765 cjr
80423		Charlotte of Mecklenburg-Strelitz with two of her children	1765(1765) Medium Oil cyf
56131		david hume	mk247 1766,oil on canvas,30x25 in,76.2x63.5 cm,scottish national portrait gallery,edinburgh,uk
24299		George III (mk25)	1760-61
98092		John Fitzgerald Villiers	oil on canvas 127 x 101.5 cm cyf
75854		King George III	1761-1762 Oil on canvas 147 ?? 106 cm (57.87 ?? 41.73 in) cjr
75986		King George III	1761-1762 Oil on canvas 147 ?? 106 cm (57.9 ?? 41.7 in) cjr
77923		King George III	1761-1762 Medium Oil on canvas Dimensions 147 ?? 106 cm (57.9 ?? 41.7 in) cyf
77660		King George III	Date 1761-1762 Medium Oil on canvas Dimensions 147 ?? 106 cm (57.9 ?? 41.7 in) cyf
3281		Lady Robert Manners	c1756 National Gallery of Scotland, Edinburgh
53847		Margaret Lindsay, Mrs. Allan Ramsay	mk234 early 1760's 68x55cm
87369		Miss Craigie	Oil on Canvas. 30 x 24 3/4 in. (76 x 63 cm). Date 1741(1741) cjr
92192		Miss Craigie	Oil on Canvas. 30 x 24 3/4 in. (76 x 63 cm). Date 1741(1741) cyf
3280		Mrs Martin	1761 Birmingham City Museum and Art Gallery
68104		National Gallery of Scotland	Description 4thEarlOfLoudoun.jpg English: John Campbell, 4th Earl of Loudoun
78104		Portrait of David Hume (1711-1776), Historian and Philosopher	1766(1766) Oil on canvas 76.2 x 63.5 cm (30 x 25 in) cjr
60187		Portrait of David Hume by Allan Ramsay,	Portrait of David Hume by Allan Ramsay, 1766.
60188		Portrait of George III, circa 1762.	Portrait of George III, circa 1762.1762.
81773		Portrait of John Campbell	1750(1750) Medium Oil on canvas Dimensions 76.8 x 64 cm (30.2 x 25.2 in) cyf
83626		Portrait of Lady Mary Coke	18th century Medium Oil cyf
79791		Portrait of Lady Susan Fox Strangways	1761(1761) Medium Oil cyf
79103		Portrait of Lady Susan Fox-Strangways	Date 1761(1761) Medium Oil cyf
96650		Portrait of Queen Charlotte	circa between 1760(1760) and 1800(1800) Medium oil on canvas Dimensions 286 X 196 cm (112.6 X 77.2 in) (frame) cjr
74977		Portrat der Mary Atkins	1761 Oil on canvas 127 X 102 cm cjr
76587		Portrat der Mary Atkins	Date 1761 Medium Oil on canvas Dimensions Deutsch: 127 ?? 102 cm cyf
82455		Portrat des Jean	1766(1766) Medium Oil on canvas Dimensions 75 x 62 cm (29.5 x 24.4 in) cyf
79566		Portrat des Jean-Jacques Rousseau	1766(1766) Oil on canvas 75 x 62 cm (29.5 x 24.4 in) cjr
24300		Queen Charlotte (mk25)	1761-2
60189		Queen Charlotte as painted by Allan Ramsay in 1762.	Queen Charlotte as painted by Allan Ramsay in 1762.
60185		Ramsay first wife, Anne Bayne, by Ramsay	Ramsay's first wife, Anne Bayne, by Ramsay
60186		Ramsay second wife Margaret Lindsay, by Ramsay	Ramsay's second wife Margaret Lindsay, by Ramsay
82590		Self portrait	1737-1739 Medium Oil on canvas Dimensions 61 x 46.4 cm (24 x 18.3 in) cyf

Allan Ramsay

1713-1784 British Allan Ramsay Galleries Allan Ramsay was born in Edinburgh, Scotland, the eldest son of Allan Ramsay, poet and author of The Gentle Shepherd. Ramsay's first wife, Anne Bayne, by Ramsay Ramsay's second wife Margaret Lindsay, by RamsayFrom the age of twenty he studied in London under the Swedish painter Hans Huyssing, and at the St. Martin's Lane Academy; leaving in 1736 for Rome and Naples, where he worked for three years under Francesco Solimena and Imperiali (Francesco Fernandi). On his return in 1738 he first settled in Edinburgh, attracting attention by his head of Duncan Forbes of Culloden and his full-length portrait of the Duke of Argyll, later used on Royal Bank of Scotland banknotes. He later moved to London, where he was employed by the Duke of Bridgewater. His pleasant manners and varied culture, not less than his artistic skill, contributed to render him popular. His only serious competitor was Thomas Hudson, with whom he shared a drapery painter, Joseph van Aken. In 1739 he married his first wife, Anne Bayne, the daughter of a professor of Scots law at Edinburgh, Alexander Bayne of Rires (c.1684?C1737), and Mary Carstairs (1695??C1759). None of their 3 children survived childhood, and she died on 4 February 1743 giving birth to the third of them. One of his drawing pupils was Margaret Lindsay, eldest daughter of Sir Alexander Lindsay of Evelick and Amelia Murray (granddaughter to David Murray, 5th Viscount of Stormont and sister to the naval officer John Lindsay). He later eloped with her and on 1 March 1752 they married in the Canongate Kirk, Edinburgh, though her father never forgave her for marrying an artist. Ramsay already had to maintain a daughter from his previous marriage as well as his two surviving sisters, but told Sir Alexander that he could provide Margaret with an annual income of £100 which would increase ??as my affairs increase, and I thank God, they are in a way of increasing?? and that his only motive for the marriage was ??my love for your Daughter, who, I am sensible, is entitled to much more than ever I shall have to bestow upon her??. There were three surviving children from their long and happy marriage, Amelia (1755?C1813), Charlotte (1758?C1818?), and John (1768?C1845). Ramsay and his new wife spent 1754?C1757 together in Italy, going to Rome, Florence, Naples and Tivoli, researching, painting and drawing old masters, antiquities and archaeological sites, and (to earn an income) painting Grand Tourists' portraits. This and other trips to Italy involved more literary and antiquarian research than art. After their return, he was in 1761 appointed to succeed John Shackelton as Principle Painter in Ordinary to George III, beating Hudson to the post; and so fully employed was he on the royal portraits which the king was in the habit of presenting to ambassadors and colonial governors, that he was forced to take advantage of the services of a host of assistants--of whom David Martin and Philip Reinagle are the best known. He gave up painting in about 1770 to concentrate on literary pursuits, his health shattered by an accidental dislocation of the right arm and his second wife's death in 1782. With unflinching pertinacity, he struggled until he had completed a likeness of the king upon which he was engaged at the time, and then started for his beloved Italy, leaving behind him a series of fifty royal portraits to be completed by his assistant Reinagle. For several years he lingered in the south, his constitution finally broken. He died at Dover on 10 August 1784.

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